Omniversal Hum presents Oren Ambarchi, crys cole & Nick Ashwood

 


Omniversal Hum presents three solo performances from Oren Ambarchi, crys cole & Nick Ashwood. Oren Ambarchi’s works are hesitant and tense extended songforms located in the cracks between several schools: modern electronics and processing; laminal improvisation and minimalism; hushed, pensive songwriting; the deceptive simplicity and temporal suspensions of composers such as Morton Feldman and Alvin Lucier; and the physicality of rock music, slowed down and stripped back to its bare bones, abstracted and replaced with pure signal.

From the late 90’s his experiments in guitar abstraction and extended technique have led to a more personal and unique sound-world incorporating a broader palette of instruments and sensibilities. On releases such as Grapes From The Estate and In The Pendulum’s Embrace, Ambarchi employed glass harmonica, strings, bells, piano, drums and percussion, creating fragile textures as light as air which tenuously coexist with the deep, wall-shaking bass tones derived from his guitar. Ambarchi has performed and recorded with a diverse array of artists such as Fennesz, Charlemagne Palestine, Sunn 0)), Thomas Brinkmann, crys cole, Keiji Haino, Alvin Lucier, John Zorn, Annea Lockwood, Alvin Curran, Loren Connors, Manuel Gottsching/Ash Ra, Merzbow, Jim O’Rourke, Keith Rowe, David Rosenboom, Julia Reidy, Akio Suzuki, Phill Niblock, John Tilbury, Richard Pinhas, Evan Parker, Fire! and many more.

Ambarchi has released numerous recordings for labels such as Touch, Editions Mego, Drag City, PAN, Southern Lord, Kranky and Tzadik. His acclaimed trio with Keiji Haino and Jim O’Rourke performs in Tokyo annually with many of their concerts documented on Ambarchi’s Black Truffle label. Black Truffle has over 90 releases to date. crys cole is a Canadian sound artist currently based in Berlin Germany who works in composition, performance and sound installation. Taking a conceptual approach, she generates subtle and imperfect sounds through haptic gestures and seemingly mundane materials to create texturally nuanced works that continuously retune the ear.

Cole has performed in Canada, Japan, Australia, Thailand, Singapore, the USA, UK and throughout Europe. Her regular collaborators include Oren Ambarchi (AU) and James Rushford (AU) (as the duo Ora Clementi). She has also worked with Francis Plagne (AU), Leif Elggren (SW), Tetuzi Akiyama (JP), Seiji Morimoto (DE), Jessika Kenney (US), David Rosenboom (US), Annea Lockwood (US/NZ), Keith Rowe (UK), Lance Austin Olsen (CA), Jamie Drouin (CA), Mathieu Ruhlmann (CA), David Behrman (US), Tim Olive (JP/CA), Graham Lambkin (UK) and many more. Cole’s work has been published on labels Black Truffle (AU), Penultimate Press (UK), Students of Decay (US), Ultra Eczema (BE), Boomkat (UK), Second Editions (DE), caduc (CA), Bocian (PL), Another Timbre (UK) and Infrequency editions (CA/DE). With guest appearances published on Touch (UK) and Editions Mego (AT). Nick Ashwood is a composer and performer of contemporary experimental music, from nipaluna/Tasmanian.

Nick’s practice explores the possibilities of the steel-string acoustic through means of just intonation, preparations, deep listening and harmonic space. Nick has performed and recorded with a diverse array of artists such as Laura Altman, Jim Denley, Robbie Avenaim, Annette Krebs, Amanda Stewart, Splinter Orchestra and Chris Abrahams, amongst others. Nick has toured throughout Australia and New Zealand and performed at a number of large festivals across Australia including Dark Mofo, Sound out, Mona Foma, The Now Now and Avantwhatever.

January 25th Northcote Social Club

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